The jury, chaired by Florent Lamy (Founder & CEO of Elevate Management) and composed of Christine Mazereau (Director of RECA), Joan Bohan (Former Walt Disney Company), Christophe Fustini (screenwriter), Fabien Houssaye (actor) and Namory Bakayoko (actor, junior jury), has awarded the following prizes:
Award Winners / Palmarès
- Best Film / Meilleur Film: The Companions directed by José María Flores
- Jury Prize / Prix du Jury: Son directed by Zhanna Bekmambetova
- Special Mention / Mention Spéciale: Samia directed by Selma Alaoui and Bruno Tracq
- Best SFX Prize / Prix SFX: Mermaid directed by Dasha Charusha
- Best Music / Meilleure Musique: Hymne of the Plague directed by Alexander Epikhov, Dimitri Gorbaty and Philipp Ivanov. Music composed by Leonid Fedorov and Vladimir Martynov
- Best Screenplay / Meilleur Scénario: The Tooth directe by sergei annenkov
- Best Animation Film / Meilleur Film d’Animation: Miracle directed by Ilia Ivanov
- SDG Prize / Prix SDG: Mal Roulante directed by Guillaume Levil
- Youth Prize / Prix Jeune: Underground Invaders directed by Shera Courtalhac, Ines Molinier, Victor Lesaffre, Maëlle Metaireau, Dana Guyot, Ines Dolivet, Meggie Bernier
The Festival has just concluded its exceptional programming with the presentation of its prestigious awards, crowning a selection of 29 short films distributed across three captivating sessions. This edition has left its mark through the diversity of works presented and the artistic quality of international productions.
“The Companions” Wins Best Film Award
The Spanish production “The Companions,” a 12-minute contemplative piece following a young couple’s evening encounter with an unexpected crowd, has been honored with the festival’s highest distinction. This intimate work stood out among the 29 competing films for its subtle approach to human relationships and urban mystery.

A Diverse Range of Winners
The jury, impressed by the overall quality of the selection, has distributed several awards recognizing the festival’s artistic diversity:
Jury Prize went to “Son,” the powerful Kazakhstan-Russia co-production telling the story of a disabled boy and his father whose lives are transformed by a Mars robot landing broadcast on television.
Special Mention was awarded to “Samia,” the Belgian film that beautifully captures a chance encounter leading to a celebration of Moroccan music, offering solace from grief.


Creative Excellence Recognized
The festival also celebrated technical achievements:
Best SFX Prize honored “Mermaid,” the Russian reimagining of Hans Christian Andersen’s classic tale.
Best Music Award went to “Hymne of the Plague,” the haunting Germany-Russia co-production set in a Soviet recording studio where musicians encounter supernatural phenomena.
Best Screenplay recognized “The Tooth,” a touching Russian story about a mother’s sacrifice to maintain her son’s childhood magic.
Best Animation Film celebrated “Miracle,” the whimsical Russian production featuring a cyberpunk-styled robot vacuum cleaner chasing a feather in a locked basement.



Special Recognition for Social Impact
The SDG Prize (Sustainable Development Goals) was presented to “Mal roulante,” acknowledging the French film’s exploration of scientific responsibility and space-time disruption.
Youth Prize went to “Underground Invaders,” demonstrating its particular resonance with younger audiences and its relevant commentary on contemporary issues, acknowledging the French film’s reflection on modern world anxieties.
A Festival Celebrating Cinematic Diversity
With a total runtime of 5 hours and 11 minutes, this edition of the Merveilleux Film Festival showcased an impressive geographical diversity, featuring works from 15 countries including Germany, Russia, Spain, Belgium, Switzerland, USA, France, South Korea, Benin, Iran, Italy, China, and Kazakhstan.
The festival’s programming, divided into three thematic sessions – “Distorted Realities & Identity Quests,” “Shattered Dreams & Unexpected Encounters,” and “Ghosts of the Past & Metamorphoses” – offered audiences a rich journey through contemporary short cinema, confirming the festival’s position as a essential platform for emerging international talent.
The success of this edition promises an even brighter future for the Festival du Film Merveilleux, which continues to discover and celebrate the most innovative voices in contemporary cinema.
This festival review is fantastic! The diverse range of films and international perspectives showcased are truly inspiring. Its amazing to see such creativity and talent from filmmakers around the world.
读完这篇关于Merveilleux Film Festival的报道,我深感震撼。这些短片不仅仅是故事,更是对生活、科技、社会和梦想的深刻探讨。从《The Companions》中那种都市夜晚的神秘感,到《Son》里父子情的动人转变,再到《Underground Invaders》对现代焦虑的犀利批判,每一部作品都展现了导演们独特的视角和创意。特别是《Mal roulante》获得SDG奖,提醒我们电影也可以承载社会责任。这个节日的多样性让我惊叹,15个国家、三个主题,每一部短片都像一扇窗,让我们看到不同的世界和思考。这种对新兴人才的扶持和对多元文化的尊重,让Merveilleux Film Festival成为了一个真正伟大的平台。期待下一届更精彩的作品!
What a whirlwind of whimsy! 🌟 The Merveilleux Film Festival seems to have served up a cinematic feast far more dazzling than a 5-hour 11-minute film itself! Who knew a robot vacuum chasing a feather could be so compelling? Praises to The Companions for their contemplative piece, though I suspect the real mystery is where they found time to watch all 29 films! And bravo to the jury for recognizing the profound importance of a feather, a Mars robot broadcast, and Moroccan music at a loss! Its heartwarming to see technical wizardry (Hymne of the Plague) and motherly sacrifice (The Tooth) celebrated alongside films about vacuum cleaners and unexpected crowds. This festival truly proves that cinema, much like a cyberpunk vacuum, can find extraordinary meaning in pursuing the tiniest, most unexpected things. Long live the Merveilleux! 🎬🌌アイム ノット ヒューマン ネタバレ
This Festival du Film Merveilleux sounds like a cinematic smorgasbord, doesnt it? Five hours and eleven minutes of Distorted Realities and Unexpected Encounters from 15 countries – talk about cultural diversity! I particularly enjoyed learning that The Companions won for its contemplative approach; perfect for those who find urban mysteries utterly absorbing. And who doesnt love a robot vacuum cleaner chasing a feather in a cyberpunk basement? Seriously, Miracle sounds like essential viewing. Though I suspect my cat might have a different take on the Ghost of the Past Metamorphoses session. All in all, seems like a brilliant way to discover if your next favourite film involves space-time disruption or just a Kazakhstani boys television. Highly recommended!football bros
What a whirlwind of cinematic wonders! 🎬 The Merveilleux Film Festival seems to have outdone itself, crammed with films from 15 countries and awarding everything from Best SFX for a cyberpunk vacuum cleaner to the profoundest human connections. Its fantastic that events like this celebrate such a diverse range of artistic visions, even if my brain is now slightly distorted from processing so much contemporary short cinema. Brava to *The Companions* for the highest distinction and *Mal roulante* for its social impact. Im already anticipating the next edition – I hope they have a category for films about festivals getting too big for their own runtime!last prophecy deltarune
What a whirlwind of international awesomeness! This festival sounds like the cinematic equivalent of a delicious, diverse buffet – you just know there was at least one entry that involved a cyberpunk vacuum cleaner chasing a feather, and thats the kind of delightful oddity I live for. Praises to The Companions for taking the top prize, though honestly, which film *didnt* stand out for its unique approach? Its fantastic seeing such geographical variety and creative risks taken. Honestly, if this festivals future is as bright as its current programming, I might just pack a picnic and prepare for sensory overload next year! 🎬🌍✨laser marking machine